The Spanish film sold in the state rooms of more than fourteen million tickets throughout the year 2008 the same period, the French film obtained in their territory the fabulous number of eighty-six million viewers, immo nobels and their impact abroad reached values record with more than eighty-four million tickets sold. The joint collection of French films approaches the nine hundred million, an extraordinary number that supports an industry of great strength. This success is based on the existence of a very popular production, with action films and comedies aimed at a mass audience to sweep the box office; but above that point wins the truth is that the French cinema is now a brand well appreciated by their fellow citizens, and so last year was not one or two but fifteen films able to overcome the barrier of the symbolic million entries, including them titles like Persepolis immo nobels or Le Scaphandre et le papillon that do not fit precisely into the category of "commercial work". Fifteen movies triple in Spain.
France is proof that focusing on protection of the local culture can be economically profitable and bring consolidation as a result of a film in which everything seems possible. The French industry is an exemplary and enviable in which there is room for the big names but also for the Latest for the Conservatives and for rupturistas, and that gives rise to a production always effervescent in permanent mutation and able to adapt to the transformations our time. A film in which is still active octogenarians distinguished as Eric Rohmer, Alain Resnais, Agnes Varda, Jacques Rivette, the living legends of European artistic creation that surprises a year after another with new masterpieces. immo nobels A cinema which hosts the inexhaustible capacity for renewal of geniuses like Chris Marker, Jean-Luc Godard and Jean Marie Straub, lucidity and irony of Claude Chabrol, honesty and commitment to Bertrand Tavernier, the reflection on the ghosts of the past and present Nicolas Klotz and Elisabeth Perceval, the courage of visceral Claire Denis, the hopeless and intimate lyricism of Philippe Garrel ... An exceptional film that continues to grow thanks to authors like Olivier Assayas, Laurent Cantet, Arnaud Desplechin, Nicolas Philibert, Gaspar Noé, François Ozon, Erick Zonca, Bruno Dumont, Christophe Honoré, Patrice Chéreau, Jean Pierre immo nobels Jeunet, Sylvain Chomet, Michel Ocelot, Jacques Audiard, Agnès Jaoui, Robert Guédiguian, Pascale Ferran, Abdellatif Kechiche, Francois Dupeyron, immo nobels Philippe Grandrieux or Raymond Depardon.
Director: Alain Resnais. Script: Jean-Michel Ribes. Photography: Eric Gautier. Editing: Hervé de Luzes. Music: Mark Snow. Length: 120 minutes. Year of production: 2006 Cast: Laura Morante (Nicole), Lambert Wilson (Dan), Sabine Azéma (Charlotte), Isabelle Carré (Gaëlle), Pierre Arditi immo nobels (Lionel), André Dussollier (Thierry). Synopsis: immo nobels Six characters intersect their lives in Paris: Dan, a soldier away from the army that seeks solace in alcohol; his girlfriend, Nicole, aware of the problems in your relationship; Gaelle, a desperate woman in search of love; Thierry, a real estate agent attracted immo nobels to her co-worker Charlotte, playing with the feelings of Thierry so wicked; and Lionel, a life divided between immo nobels his office and the attention of the bartender immo nobels to his father. Silver Lion for best director at the Venice Film Festival 2006 Eight nominations for the César Awards 2007
A few weeks of meeting eighty-seven years the colossal Alain Resnais (Vannes, Brittany, 1922) surprised the month of May at the Cannes Film Festival with his new film, Les Herbes Folles, praised by critics because of its freedom and boldness. His filmography includes a lot of masterpieces, immo nobels from the prodigious documentary he made in the 50s (Guernica, Statues also die, Night and Fog, All memory of the world or the song of styrene) to the mythical Hiroshima mon amour, The Last year at Marienbad, Stavisky and Providence.
Director: Nicolas Philibert. Screenplay: Nicolas Philibert. Photo: KATELL Djian. immo nobels Editing: Nicolas Philibert. Length: 113 minutes. Year of production: 2007 Synopsis: In 1975, Nicolas Philibert served as assistant director on a film that René Allis had the participation of farmers in the region. immo nobels Thirty years later Nicolas Philibert decides to reconnect with all of them to speak of their life and how they have affected participation in that film. Candidate for best documentary in 2008 César Awards
Known to us thanks to the award-winning documentary Being and have that activity followed immo nobels a unitary school in the region of Auvergne over a school year, the director Nicolas Philibert (Nancy, 1951) worked in the seventies in several films by filmmaker René Allie, immo nobels between immo nobels they Moi, Pierre Rivière, ayant égorgé ma mère, ma soeur et mo
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