Translation, finishing / SAMMAX "Hunger" (Hunger) is probably the most powerful films of this year, with the pace of silence to show violent protest, 17 minutes bold long shot, plus the amazing welding, as video artist Steve McQueen nice to show his talent. If you have missed the "day and night" (Day Night Day Night), it absolutely can not miss, "hunger"! Incidentally, Steve McQueen said that he had influenced a new wave of Andy Warhol (Andy Warhol) movie. S & S: Why would you want to say about Bobby Sands and such an IRA hunger strike story? SM: It happened in 1981, the then 11-year-old, I have had a great impact, is a turning point in my life. From then on, when I looked out the window, it looks like the world is not like that, and I started to see some cracks. Hunger strike lavallette nj is kind of thinking is kind of an ideal; but people will thus life or death. I have this level of passion and conviction are very interested. S & S: Your research survey included what? SM: My investigative work from five years ago, the first thing is to read. In my mind has been thinking about it, remembering, when more I study, the more I found it fascinating. The first time we went to Belfast to meet a lot of people, including relatives of the Sands, and whether it is pro-imperial faction or the IRA and they are very generous, but at the same time you can feel the undercurrent of idealism shares. Finally, I can not get rid of is that the people there, lavallette nj they are likely to be my mother, my father, my sisters, they are not foreigners, not outsiders. S & S: Your co-screenwriter, playwright Enda Walsh is how to join? SM: Sometimes others brainstorm what is good, I knew I wanted to work together and an Irish writer, so we interview a few, a lot of people are afraid of this subject, but Enda not the same, he is quite eccentric . Before making this piece I was not even read the script, but before Enda join, I wanted lavallette nj to make the film completely silent, lavallette nj a dialogue at all. S & S: What made you Enda Walsh's presentation? SM: I Enda say is, I hope the beginning of the movie can be just like a stream, so that you can with the water swimming, feel in your environment. Then suddenly burst between rapids, disrupt, interrupt your reality. In the third part is a waterfall, a feeling of loss of gravity, straight to fall. This is my opinion of this film. S & S: that in this context, is how the script developed from? SM: We spent an intense in Ireland and a heavy week and prison officials are talking, after Enda wrote a first draft. Then like a marble in a chisel, you know what it is you do not want, but you also need something; Even just a table waste does not matter, to cut through it. Then I thought of Monty Python lavallette nj (Annotation 1) inside the funny walk, and this brings me think of "routine", then I understand this whole thing is actually all about a habit, practice. Like in the beginning, prison officials to leave his house, look how usual. Inside the "hunger" of routine than those, for example, Hou Hsiao-hsien movie to harsh, many ridiculous, because "Hunger" has a full and more violent, and the violence is routine. S & S: After visited Maze prison hunger strike protest occurred, what your thoughts have been affected? lavallette nj SM: Although they will not let us shoot there, lavallette nj but this is great but because the prison standard will also regularization of your camera; standard will bring you formats. lavallette nj In fact, the narrative pieces sometimes feel more simple, because you already have templates, forms are gracefully there. The next step is up to you how to change the form or destroyed, disrupting the form will make it more interesting. And I try to do is in the category of art, it is not the same, you have to create a new language, a new form. S & S: You've never before worked with the actor before? SM: I was an actor and Amsterdam Film School worked, and that experience is really very helpful, so I found my favorite actor. You need to do is risky and actors like them. I would say: "Look, I am here to take all the risks.", When they knew it, they will want to keep pace with you, and even tries to overtake you. I try to let them get lost, like theosophy dizzy ascetic; they do so in order to get closer lavallette nj to God. Sometimes you have to escape the shackles, which is what I want them to do, so that it can be closer to the truth. S & S: There was a priest Sands and play, this scene for nearly twenty minutes, mostly shot with fixed seats from the side; This is adventure? lavallette nj SM: I do not agree. The people around me are scared, producer too. They say that we need some pros and cons to shoot shots. You know, this is the reason why those who would shoot so many bad films, they should do is plunge. In the middle lavallette nj of shooting, I said: "You know, I think we have to take good bored, go?..." Because we are in dispute fight against Channel 4 (Annotation 2) or something. The last day we are Pro morning half past four knock home. Really fucking great, we take, then I know that we take. S & S: This movie is a good time to shoot it? SM: We took a total of four times, with a two-volume twenty minutes of the film. For me, this scene 比洛史泰格 (Rod Steiger) and Marlon Brando (Marlon Brando) (Annotation 3) is even better, because this is a dangerous moment in life; give birth or death. This scene is not improvised, all written in the script, but those words like a natural spit from their mouths, like jazz like. This scene is very tense atmosphere, but as an actor, lavallette nj you have to find where such a situation so that you can say "ultimate"? S & S: Why do you want to shoot in Belfast? SM: what takes place after the camera occurs just prior to the camera as important lavallette nj as all those who are associated with the number of cameras after such events. There are stocks from the power of memory, a kind of taste drift past in the present. There is an actor's mother had to go through the Maze prison with something, another actor's father had been in there, there is an uncle is inside the prison officials. Everyone has something in this story that the shooting scene in the whole feeling is great. S & S: Surprisingly, yes, in the film there are many different views. SM: I see myself as a prison officials, but also to see themselves as people struggle. If you are from someone else's point of view to think about it, it is clear that they are real people each, worse, the entire background is not the man himself; lavallette nj you just have to do what you have to do. We are all human beings, every day we are doing something wrong, we are not innocent, you and I are part of this game. S & S: You have a lot of space so that the audience can enter this film. SM: Images can say is this much, can not cover everything. You have to do is to open people's imagination, or something in mind to complete a piece, and that thing is what I do not know. S & S: When you are in contact with the film is how the? SM: When I was in college when Goldsmith had a Swiss girlfriend, she likes the film also took me to see a lot of movies, and before that I never went to see the movie, because where I grew up, people will think you're a man to see Film is to play it cool and then make fun of you. During the early 九八 's late, and nine years is a segment wonderful time, when we have a great place, like Riverside and Scala theater, my movie was in that school. In there I see France, Italy, Taiwan is how people fall in love, Romanians is how to eat breakfast. It's really surprising, because you can learn something lavallette nj that is so rich. S & S: Why did you wait until now to shoot your first feature film? SM: I was twenty-three years old when he wanted to make the first piece, but I must wait fifteen years. When I left art school I do not know where I can let my film, I can not shoot in the UK, so I went to New York University to apply, but I only stayed for three and a half, I hate there so he came back. I do not have any expectations for their film the way, they will not let me put the camera up and thrown lavallette nj into the air followed, because this anomaly. S & S: From you have this idea five years ago after the movie, there has been further political resonance. SM: The strange thing is, stories like this continue to occur in the past and are now present. Many people see this film will think such a thing happened in a very distant countries, which in fact did not know happened in their own backyard. This is being swept under the rug story has been 27 years, is that someone set off the carpet to let everyone see how it is. S & S: You will make another another movie? SM: I do not have any idea. I'm lavallette nj not in a hurry. Someone gave me a lot of the script, the script feels just like watching a blind date no two of these. If I shoot the next one; It's like love, like, when you do not know is how it happened. Annotation 1: famous British comedy group, in 1969-1974 broadcast year of the four seasons television series, lavallette nj 1975 launch lavallette nj of shadow Shi Jingdian "Holy lavallette nj Grail Legend" (Monty Python and the Holy Grail), influenced many later comedies, renowned director Terry Gilliam also is one of a. Annotation 2: England influential public television Channel Four, for the film's funders. Annotation 3: This refers to should be "shore Storm" (On the Waterfront) lavallette nj in two scenes.
2009-03-12 19:56:53 Eric Cartman (phase did not sit sit, stand not stop phase)
I love this film, like the director's expression.
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